My work looks at the body inside systems that measure, classify, and control it.

I am not interested in telling stories about identity.
I am interested in how the body is processed—how it is reduced, contained, and made to function inside structures that do not see it as a subject.

In my recent work, I Am a Body in Transit, the body is no longer central as a character.
It appears as something managed: archived, labeled, suspended, or interrupted.

I work with painting, ceramics, and installation to build situations where the body is present but cannot fully operate.
It remains, but it cannot act the same way.

The system does not erase the body.
It reorganizes it.

What interests me is not disappearance, but adaptation.
How repetition changes perception.
How something can still be there and stop interrupting.

The viewer is not outside of this structure.
To look is already to participate.

My work does not try to resolve this.
It stays with it.