I use installation to construct spaces where bodies, objects, and systems coexist under tension. Through scale, repetition, and material presence, these works explore containment, observation, memory, and the quiet mechanisms that shape human experience.
After 16 Years. 2026
Handmade recycled paper made from immigration documents, thread, ink stamps, medical tape,wooden clothespins
48 × 46 in
Learned Silence |2026
40 × 11 × 3.5 in (including hair)
Cardboard, recycled immigration documents, paper pulp, balsawood, synthetic hair, graphite, acrylic, rubber stamps, and adhesive.
Weight of Withessing |2026
Square painting: Oil on canvas 14×14”
Round canvas : Oil on canvas 4×4”
Ceramic eyes: Diferente sizes. Starting 4×4“
Black Thread
The Ones Who Could Not Stay— 2026
Oil on canvas and ceramic installation (variable dimensions)
Painting: 24 × 48 × 1.5 in
Sculpture: 7.5 in (diameter) × 8.9 in height
Not everyone gets to stay. Some are simply left out. Inspired by the children's game Blind Man's Bluff, this installation reflects the arbitrary nature of bureaucratic systems, where life-changing decisions are often made without truly seeing the people behind them.
Ceramic, emergency blanket
Mask: 6”Wx 9”Hx 3”D
Body: 6 ft H
2025
This work reflects on the fragility of existence and the quiet endurance of those forced into invisibility. It speaks of protection as both refuge and burden, of how silence can become a language when words are denied. Beneath the stillness lies resilience — the will to survive, to remain seen even when erased. It is a meditation on human dignity, reminding us that the unseen often carries the weight of the world.
Wrapped in Silence
Mix-Media: Ceramic, Mason jars, Printing labels , print paper, wood shelf acrylic on Canvas
Wood shelf: 60"W x 1.5" D x 17"H
Canvas: 24”W x 24”Hx 1.5”D
2024-2025
Where are the Childrens